But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. After spending time in treatment with other young women like her-who cut, burn, poke, and otherwise hurt themselves-Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself her bereft and abusive mother kicked her out her best friend, Ellis, is nearly brain dead after cutting too deeply and she's gone through unspeakable experiences living on the street. YA)Īfter surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself. Don’t confuse this hefty, respectful adaptation with some of the other recent ones this one holds nothing back and is proudly, grittily realistic rather than cheerfully cartoonish. The artist’s use of color is especially striking: His battle scenes are ample, bloodily scarlet affairs, and Polyphemus’s cave is a stifling orange he depicts the underworld as a colorless, mirthless void, domestic spaces in warm tans, the all-encircling sea in a light Mediterranean blue and some of the far-away islands in almost tangibly growing greens. Lush watercolors move with fluid lines throughout this reimagining.
Gods mingle with the mortals, and not heeding their warnings could lead to quick danger being mere men, Odysseus and his crew often make hasty errors in judgment and must face challenging consequences. Following Odysseus’s journey to return home to his beloved wife, Penelope, readers are transported into a world that easily combines the realistic and the fantastic. Hinds adds another magnificent adaptation to his oeuvre ( King Lear, 2009, etc.) with this stunning graphic retelling of Homer’s epic.
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